The Musical Narrative and Emotional Expression in Fanny Mendelssohn’s Piano Suite ‘Das Jahr’

Authors

  • Peng Zhang School of Arts, Zhejiang Normal University, 688 Yingbin Avenue, Jinhua, Zhejiang 321004, China

DOI:

https://doi.org/10.54097/4rs4vp62

Keywords:

Fanny Mendelssohn, *The Year*, Musical narrative, Cross-media expression, Temporal structure

Abstract

Fanny Mendelssohn’s piano suite *Das Jahr* (The Year) employs the twelve months as its structural framework, presenting a distinct temporal logic and holistic conception. Building upon an examination of the work’s compositional background, this article focuses on analysing how it constructs a continuous temporal narrative through tonal organisation, shifts in form and the interplay of musical motifs. It further explores how the work embodies the unique aesthetic orientation and expressive style of a female composer, thereby deepening our understanding of the piece.

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References

[1] Levine, A., & Li, F. (2010). Fanny and Felix: The Story of Two Geniuses [J]. Piano Art, 2010(01): 18–20.

[2] Song Fangfang. The Difficult Plight of 19th-Century European Female Composers: The Cases of Fanny Mendelssohn and Clara Schumann [J].Journal of Xi’an Conservatory of Music), 2007(01): 88–91.

[3] Li Xingran. Performance Analysis of Fanny Mendelssohn’s *The Year* [D]. Shandong Normal University, 2025.

[4] Zhang Peng, ‘The Construction and Significance of the “Canonisation” of Clara Schumann’s Concert Repertoire’, [J]. Journal of Xi’an Conservatory of Music, June 2024(06):87-92.

[5] Zhang Peng, Narratives at the Tips of the Fingers: An Exploration of Emotional Expression and Aesthetics in Piano Performance[M], Jilin People’s Publishing House.

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Published

10-04-2026

Issue

Section

Articles

How to Cite

Zhang, P. (2026). The Musical Narrative and Emotional Expression in Fanny Mendelssohn’s Piano Suite ‘Das Jahr’. Academic Journal of Art and Design, 1(1), 1-4. https://doi.org/10.54097/4rs4vp62