The Effects of AI-Assisted Dance Learning on Embodied Awareness and Creative Self-Efficacy
DOI:
https://doi.org/10.54097/wc3wgh06Keywords:
Artificial Intelligence; Dance Education; Embodied Awareness; Creative Self-Efficacy; Pose Estimation; Phenomenology.Abstract
Artificial Intelligence (AI) in dance education has begun to change the teaching, practice and absorption of human movement in a new way. This paper investigates the two sides of AI-assisted dance classes on students' sense of embodiment and creative self-efficacy. Integrate phenomenological frameworks of the moving body with Bandura's social cognitive theory to explore how AI-driven computer vision and real-time pose estimation technologies alter dancers' sense of proprioception. Research on the shift from older mirror-based externalisation to new algorithmic systems for self-monitoring has been conducted. Although AI feedback has improved the precision of kinematics, it may also harm the all-encompassing phenomenology of the 'lived body' if not used in teaching thoughtfully. In addition, the paper also studies how adaptive, confidence-weighted AI feedback loops affect creative self-efficacy, that is, individuals' sense of their own ability to create new works of art. Based on the above results, AI should be used as a cooperative learning partner rather than an inflexible test-taker to improve both the accuracy of movement and the self-confidence needed for creative exploration. Finally, this paper proposes a human-AI cooperative model for dance education that combines the accuracy of algorithms with the expressiveness of human art.
Downloads
References
[1] Bandura, A. (1997). Self efficacy: The exercise of control. W.H. Freeman and Company.
[2] Parviainen, J. (1998). Bodies moving and moved: A phenomenological analysis of the dancing subject and the cognitive and ethical values of dance art. Tampere University Press.
[3] Tierney, P., & Farmer, S. M. (2002). Creative self efficacy: Its potential antecedents and relationship to creative performance. Academy of Management Journal, 45(6), 1137 1148. https://doi.org/10.5465/3069429 DOI: https://doi.org/10.2307/3069429
[4] Tierney, P., & Farmer, S. M. (2011). Creative self efficacy development and creative performance over time. Journal of Applied Psychology, 96(2), 277 293. https://doi.org/10.1037/a0020952 DOI: https://doi.org/10.1037/a0020952
[5] Merleau Ponty, M. (2012). Phenomenology of perception (D. A. Landes, Trans.). Routledge. https://doi.org/10.4324/9780203720714. (Original work published 1945) DOI: https://doi.org/10.4324/9780203720714
[6] Warburton, E. C. (2011). Of meanings and movements: Re languaging embodiment in dance phenomenology and cognition. Dance Research Journal, 43(2), 65 84. https://doi.org/10.1017/S0149767711000064 DOI: https://doi.org/10.1017/S0149767711000064
[7] Pickens, J. (2021). Dancing through the digital landscape: Friction, control, and the need for information proprioception. Information Matters, 1(8). https://doi.org/10.2139/ssrn.4145790 DOI: https://doi.org/10.2139/ssrn.4145790
[8] Tsuchida, S., Mao, H., Okamoto, H., Suzuki, Y., Kanada, R., Hori, T., Terada, T., & Tsukamoto, M. (2022). Dance practice system that shows what you would look like if you could master the dance. In Proceedings of the 8th International Conference on Movement and Computing (pp. 1 8). ACM. https://doi.org/10.1145/3537972.3537991 DOI: https://doi.org/10.1145/3537972.3537991
[9] Kang, J., Kang, C., Yoon, J., Ji, H., Li, T., Moon, H., Ko, M., & Han, J. (2023). Dancing on the inside: A qualitative study on online dance learning with teacher AI cooperation. Education and Information Technologies, 28(9), 12111 12141. https://doi.org/10.1007/s10639 023 11649 0 DOI: https://doi.org/10.1007/s10639-023-11649-0
[10] Swain, M. K., Simonthomas, S., Sharma, M., Singh, P., Kulkarni, N., & Dev, R. (2025). Evaluating the impact of AI on dance pedagogy. ShodhKosh: Journal of Visual and Performing Arts, 6(5s), 109 119. https://doi.org/10.29121/shodhkosh.v6.i5s.2025.6912 DOI: https://doi.org/10.29121/shodhkosh.v6.i5s.2025.6912
[11] Bhan, S., Khan, A. K., Bekal, S. K., Saini, P., Singla, A., Thakuriya, K., & Mundada, D. K. (2025). Real time AI feedback for dance students. ShodhKosh: Journal of Visual and Performing Arts, 6(3s), 122 132. https://doi.org/10.29121/shodhkosh.v6.i3s.2025.6798 DOI: https://doi.org/10.29121/shodhkosh.v6.i3s.2025.6798
[12] Lin, Z., & Gee, L. P. (2026). Confidence adaptive AI instructor feedback fusion for enhanced engagement in online Latin dance learning. Journal of Arts & Humanities, 15(1), 26 34. https://doi.org/10.18533/journal.v15i1.2587
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Academic Journal of Art and Design

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.










