Vol. 1 No. 3 (2026)

Articles

• The Discourse Shift from Curatorial Arguments to Brand Narratives

  Chenxiao Du

  1-4

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• The Concept of "Harmony" in Chinese and Western Art Aesthetics: A Case Study of Choral Sound Aesthetics

  Jinming Hu, Zhenyu Zhou

  5-8

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• From Representation to Non-Objective Art: Spiritual Language in Kandinsky's Composition Series

  Yuetong Huang

  9-14

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• The Effects of AI-Assisted Dance Learning on Embodied Awareness and Creative Self-Efficacy

  Yue Mao

  15-18

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• Thoughts on the Application of Sui and Tang Buddhist Intangible Heritage Aesthetic Elements in Modern Art Teaching

  Yunhou Ding

  19-21

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• Research on the Practice of Design Thinking in Fashion Design Empowered by Wearable Technology

  Peixuan Li

  22-25

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• British Art Song Composition, Performance, and Pedagogy and the Articulation of National Identity in Early Twentieth Century England

  Yifan Chen

  26-28

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• Character Realization in Realistic Acting: Pathways to Characterization within the Stanislavski Tradition

  Yuchen Zhang

  29-32

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• The Generation and Cultural Expression of Media Cultural Symbols in the Field of Mass Communication

  Haofu Yang

  33-35

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